Monday, July 27, 2015

Senior Literature Syllabus 2015-2016

Tri-Cities High School
Language Arts Department
Course Syllabus for World and Multicultural Literature
Fall 2015-2016

Course Title: World and Multicultural Literature

Instructors:
Dosunmu:  Room F-107 (Tutorial: Thursdays after school 3:45 – 5:00)
Email: dosunmus@fultonschools.org 

Moore-Webb: Room M-121 (Tutorial: Wednesdays after school 3:45 - 4:45)
Email: moorea5@fultonschools.org

**Email is the best way to reach senior literature teachers; please allow 24 hours for a response**

Text(s): World Masterpieces, Prentice Hall Literature – Timeless Voices, Timeless Themes

Book replacement cost- $99.00

Textbook Information
Textbooks become the responsibility of the student to whom they were issued from the time they are distributed until they are returned to the textbook coordinator. Damage to an issued book, tampering with a barcode or loss of a student’s text book will result in an assessment for the value of a replacement book. If a damaged book is issued to a student then the student has two weeks to report it in the media center so the damage can be recorded or replacement book can be issued. Damaged books are considered to be books with broken bindings, torn pages or missing pages, written on pages, detached cover, missing or unreadable barcode.
Novels: Replacement Cost: $30.00
Course Description
This accelerated course is enriching in experience; analytical and critical in reading, composition, and thought; and probing in self-awareness. The student delves into the study of a wide range of literary themes, genres, mediums, and methods. Contemplative and organized vocal participation, skilled and highly polished writing, and meta-cognitive evaluation are required. Because of the given scope and sequence of the course, training and practice in grammar, usage, and mechanics in expository, persuasive, and analytical writing form the foundation of World Literature is necessary. Hence, evaluation is primarily, not solely, based on writing and speaking performance.
Outside assignments are an integral part of the course as are prepared, timed, or impromptu oral and written presentations. To maximize student learning, the teacher will act as a facilitator and the student as an active learner. Because this course is based on student participation, class presentations and group work, students must attend class to be successful. This course is designed around three units of study, each requiring the student to make meaning from text and to create and present texts. Throughout the course, “texts” refers to numerous types of literature and language with which the student will become familiar in identifying, analytical in discussing and writing, and meta-cognitive in reflecting and evaluating.
All students will meet or exceed the Georgia Performance Standards for this course. These standards can be viewed by accessing the following website:
 be determined by the students with the aid of the teacher.
Course Requirements
Class participation grade may be affected if students do not come to class prepared or on time.
Students MUST bring the following items to class daily:
 Textbook and/ or assigned novel
 Binder/ journal
 Homework (homework will not be accepted if turned in after I have initially requested it within the class period)
 Black/blue pen only! (NO pencils unless examination with Scantron answer sheet is administered)
 Clean sheets of notebook paper

Tutorial Available: during my planning (with an appointment), after school (with an appointment) or during lunch (with an appointment)
Evaluation and Grading Scale
A= 90 and above B=80 – 89 C=70 – 79 F=69 and below
The number of points earned divided by the number of points possible in each grading category determines the grade.
Category Description Percentage of Final Grade
Summative assessment Major tests, projects, presentations, speeches, multimedia Productions 40%
Formative assessment Notes, grammar work, vocabulary assignments, in class work, out of class assignments, quizzes, informal evaluations, small projects, grammar essays, discussion, overall work completion, etc.  35%
Final Exam 15%
Daily Participation 10%
Journals
At the beginning of most classes, I will assign a timed writing topic. The student will spend the five to ten minutes of class writing on the topic. If the student does not finish writing on the topic during class time, the student will finish the writing as homework. If the student is absent, he or she may get the topic from a peer and do the assignment for homework. Even if you are absent, you are required to complete that day’s daily writing. I will randomly check the daily writings for a grade. Since student handwriting is different, there is no length requirement, but each, daily writing must have a minimum word count of 150. Periodically, I will list the journal topics on the class blog.
Assignments
Students must complete all assignments in black or blue ink or type. Students must turn in assignments within the first five minutes of class on the due date. The assignment must be ready to hand in when it is collected. If it is not ready at this time, it will neither be accepted nor considered on time, unless the student previously made arrangements with the instructor. Students may not turn in assignments during instructional time. Unlike the federal taxes, they may not be mailed either to school or to the instructor’s home address, with a postmark of the due date. The materials must be received by the instructor on the due date in order to have the potential to receive full credit. Assignments will neither be assigned nor accepted the day preceding the exam. Any assignment due on the day of a field trip must be turned in prior to the student leaving for that field trip. Similarly, with prearranged absences, even excused, the assignment must be turned in on its’ due date or before in order to receive full credit. The student is responsible to ensure that assignments are turned in; they may not blame parents, dogs, cars, sisters, brothers, broken technology, aliens, etc. for late work. It will not be accepted without penalty.
Absences
Attendance is mandatory in the World and Multicultural Literature course. Students are responsible for any material covered during their absence. Either consult the instructor during afternoon office hours or request the material from a trustworthy classmate. Consecutive absences may result in a significant drop in the student grade. Students should check the returned materials file upon returning from absence for assignments returned during their absences. School related absences require notification prior to the absence or the assignments due/covered will not be accepted. Field trips, club meetings, athletic activities/events, TAG sessions and other functions neither excuse work due, nor postpone the due date. Any material covered while the student is involved in a school related function must be attained.
Make-up Work
Make-up work is the student’s responsibility. It must be initiated by the student on the first day back to class after an absence. Only assignments missed during excused absences can be completed. An absence is excused if the student presents an official “Excused Absence” form from the attendance clerk or other member of administration; an absence is also excused if the student’s name appears on the early dismissal, school field trip, or other appropriate list. All makeup work must be completed within one week, which starts the day a student returns from an absence. To complete any assessment, students must schedule an appointment. Daily assignments will be listed for each student to record upon his/her return.

Blog
Our class blog is a vital aspect of this course. It is your job to look at it at least once a day, because it will be updated frequently. Sometimes it will have merely informational pieces and other times there will be information on there to accompany or introduce an assignment. You will not be excused because you did not “see it”. A part of your homework is to check it daily, regardless of whether we have class or not.
Recovery Policy See the Tri-Cities High School student handbook (also available through school website) for Fulton County’s policy regarding recovery.
Plagiarism is a Violation.
Acts of plagiarism can include, but are not limited to:
1. using words or ideas from a published source or the internet without proper permission;
2. using the work of another student (e.g., copying another student’s homework, composition, or project in entirety or in part;
3. using excessive editing suggestions of another student, teacher, parent, or paid author.
Excessive editing note: Students learn to write well through practice and independent exploration of language manipulation. This effort, like any learning experience, often requires persistence and “perspiration.” Well-meaning parents, siblings, tutors, and others who contribute their own ideas, words, phrases, and revisions to a student’s writing, not only cause that student to miss the opportunity to achieve self-reliance, but also inhibit the student from presenting his own voice.
Positive ways to help a student grow in his writing process include reading the paper or writing exercise and marking areas that need clarification, punctuation, elaboration, or more precise wording, allowing the student to figure out the error and correct it independently. Oftentimes having the student read the paper aloud will greatly help in error identification. Cues such as, “What exactly do you mean?” or “This sentence seems awkward” are also very appropriate.
Plagiarism on any project or paper at Tri-Cities High School will result in a zero for the assignment and an serve as a school violation.
Unless directly stipulated by the teacher, collaboration on written work is not acceptable.
Students who willingly provide other students with access to their coursework or homework are also in violation of school rules.

COURSE EXPECTATIONS—Students will:
  • Develop accurate, perceptive reading through close study of major test representing various literary genres/movements, periods, etc.
  • Generate independent, thoughtful, and analytical discourse during class discussion
  • Deliver Oral Reports with poise and clarity
  • Analyze and understand the technique of poetry as if it affects and enhances meaning in a poem
  • Develop independent thought through avid critical inquiry and to enhance writing skills through frequent, challenging assignments

Anticipated Reading for World Literature & Composition (S1)
Anticipated Reading for Multicultural Literature & Composition (S2)
Academic Year—
Selected Poetry, Drama, and Short Stories from Prentice Hall Literature World Masterpieces (Replacement Cost $99.00)
Prentice Hall Writing Coach

Note:  Supplemental Text(s) are subject to change per teacher( Replacement Cost $30.00)
A Multicultural Reader Collection Two - Many Voices Literature Second Edition
Various other supplemental anthologies



Note:  Supplemental Text(s) are subject to change per teacher (Replacement Cost $30.00)

TEXTBOOKS:  Each student will be issued a textbook for this course.  Novels are also available for use by each student. Textbooks become the responsibility of the student to whom they were issued from the time they are distributed until they are returned to the textbook coordinator. Damage to an issued book, tampering with a barcode or loss of a student’s text book will result in an assessment for the value of a replacement book. If a damaged book is issued to a student then the student has two weeks to report it in the media center so the damage can be recorded or replacement book can be issued. Damaged books are considered to be books with broken bindings, torn pages or missing pages, written on pages, detached cover, missing or unreadable barcode.


ADDITIONAL PERFORMANCE TASKS/ASSESSMENTS:  The majority of all assessments are primarily through essays.  Some quizzes are given, such as weekly vocabulary and knowledge of literary terms.  Students are expected to be active participants in the following:

§  Socratic Seminars

§  Oral Reports

§  Daily Assignments & Class Participation

§  Senior Project [PSEP (S1) TBA (S2)

§  Film as Art*

§  Various Types of Journals (Reading, Double Entry, etc)/Graphic Organizers

 


FILM AS ART:  In order for students to understand the complexities of various literary types, film is used as a bridge from the students’ understanding of text to their total comprehension of its depths and complexities.  As a basis for understanding poetry, and other forms of text, students learn techniques involved in film directing in preparation for determining how authors achieve their purposes in literature.  Certain films will require parent approval due to county policy, and though the class is taught at college level, therefore parents will need to sign a form allowing students to participate

Expected Behavior and Attitude:  Respect for the teacher, your fellow classmates, and yourself.  You will need to be in your seat, working, when the tardy bell rings.  Come to class prepared to learn; this includes bringing all necessary materials. All work written in pencil will receive a  grade of 0. You have been advised!  Participate in classroom activities and assignments. Questions about current assignments should be asked during class.  Questions about grades, makeup or personal issues must be done after school because I will not write passes for students to other classes.  I am here Monday- Friday until 5:00.  If my light is off that means I have left for the day.  If  I am not in my room, and the light is on, you should wait.

The Successful Student:  Completes all assignments and earns a passing grade on each of them  Places core academics as their main priority while they are in school.  Studies, reviews, and rewrites of notes every night.  Attends class everyday.   Student will attend tutorials when they have a question or need clarification.

PLAGIARISM/CHEATING: The penalty for plagiarism is a zero on the assignment, a referral to an administrator, and the loss of trust in you from your teachers, parents, and friends.  Students are encouraged to express their ideas both in class and outside of the classroom.  However all written work should be a result of an individual’s personal understanding of the material. Plagiarism is presenting another’s words or ideas as though they are entirely one's own.  Any work that is purchased, borrowed, stolen with the intent to use as your own, original work, created solely by you will result in a 0. If you allow an individual to copy your work, you are guilty of cheating as well and will receive the same grade of 0.  

Plagiarism is an Honor Code Violation.
Acts of plagiarism can include, but are not limited to:

1.        using words or ideas from a published source or the internet without proper permission;
2.        using the work of another student (e.g.,  copying another student’s homework, composition, or project in entirety or in part;
3.        using excessive editing suggestions of another student, teacher, parent, or paid author.

Students who willingly provide other students with access to their coursework or homework are also in violation of the Honor Code.
               
Honor Code: 
As explained in the student handbook, cheating is defined as “the giving or receiving, in any form, information relating to a gradable experience.”  Violations of the honor code will result in a zero for the assignment, plus an honor code violation form placed in the student’s disciplinary file.  Read the handbook carefully to fully understand what constitutes a violation.


Additional information and materials will be distributed throughout the semester as needed.
TCHS SUPPLY LIST
§  1- 3 D-ring binder with POCKETS  (3-4 inch)
§  Colored Tab Dividers (8-count)
§  1-Zipper Pouch w/3 hole punch
§  2- Composition notebook for science (1 per semester)
§  1-Subjuct notebook w/3 hole punch
§  1- Binder pocket
§  2- Pens (variety colors)
§  2- Pencils
§  1- Assorted Highlighters
§  1-Colored Pencils (12 pack)
§  1 Roll scotch tape
§  1 Pack  Loose leaf notebook paper w/ reinforced holes
§  Scientific Calculator
§  Assignment Calendar or Agenda
CLASSROOM SUPPLY LIST
§  5 Subject Notebook
§  Composition notebook/1 Subject notebook for daily journals which can attach to binder
§  Black/Blue  ball point ink pens (check for teacher preference)
§  Red ball point ink pens
§  1- Pack of Colored Pens (for note rewrites)
§  #2 Pencils for testing only


FORMAT FOR ALL ESSAYS
§  MLA Style
§  12 point Times New Roman
§  Black ink on white paper only
§  Name, Date, Course title, and teacher’s name and assignment name in upper left-hand corner; title must be centered
§  All out of class essays must be typed
§  All other work must be written in black/blue ink.
§  Stapled in top left corner one time only
No separate title page
GRADING SCALE
Classwork/Homework/Quizzes..…………………………………………………………………………………………………… 40%
Common Assessments  ……………………......................................................................................................................................………....   20%
Unit Exams …………………… ……………………………………………………………………………….)...……....…….…..  20% Final/MILESTONES (formerly EOCT if applicable) ………………………………………………….……….………..................    20%
Total = 100%
Fulton County Board of Education Grading Policy
90 – 100 = A                          80 – 89 = B                                               70 – 79 = C                                                         69 or below = F


COURSE REQUIREMENTS: Students are required to complete all work (in and outside of class) assigned throughout the semester. Students are required to read all assignments and take notes on them.

Class Policies--

BEHAVIOR: Disruptive behavior that hinders any student’s right to a quality education will not be tolerated. Students who feel the need to impede on others’ education will receive (1) a verbal warning (2) parental contact (3) referral to the grade level administrator. Please note that ANY disruptive behavior will be documented and the teacher may override these steps if deemed necessary. See classroom rules and expectations sheet for further info.

Behavior Management
§  We shall all respect one another in the classroom.
§  Baseball caps, shades, or bandanas of any kind may not be worn in the classroom.
§  No electronic devices and electronic gizmos: iPods/headsets/cell phones etc., are allowed in class.  All cell phones and pagers MUST be turned off.  In case of an emergency, your relatives must call the front office at 470.254.8200.
§  No late work is accepted.  All assignments are due at the BEGINNING of class either typed or handwritten. Jump Drives cannot be accepted. (If you are late, so is your work.)
§  Sleep is reserved for one’s home. 
§  Students need to use the facilities prior to coming to class. Bathroom passes will be written except in cases of emergency only.  Requests to go to your locker, get water, give a student a message or visit another instructor’s classroom / administrator / or guidance counselor can not be honored.  Again these activities need to be taken care of during your personal time.
§  No candy/food/or drink is allowed.  Failure to abide by this rule will result in confiscation of item until the end of the   period. If you are caught actually eating or drinking in my class, you will be asked to throw the item in the trash.
§  No profanity. 
§  I can not accept passes for being late to class from other instructors. Therefore, I will not write passes for you to enter another instructor’s class late.

ATTENDANCE: Because this course emphasizes reading and writing as processes and as collaborative activities, attendance is essential.

Skipping: Students who miss class are considered truant. Magnet/Athletic activities do not supersede your responsibilities to this class. Attending rehearsals /practices when you are scheduled to be in your regularly scheduled class is considered skipping. Your name and your Magnet teacher’s name will be forwarded to the VPA Magnet Director/and grade-level Administrator/ Your Guidance Counselor/ and your parent(s)/guardian will be contacted.

Absences: If you are absent, you need to check with your study partner to see which assignments you have missed. If you need handouts, you must speak with me before or after school. Makeup work/ Recovery must be STUDENT initiated. It is the student’s responsibility to request and make up any missed work.  Please see your Student Handbook regarding this policy.

Field Trips/Games/ Festivals/ etc: If you are attending a Field Trip, it is your responsibility to turn in work before you leave. For example: If you are going on a field trip on Thursday at 8:45am and we are scheduled to have a test and an essay is due, you should do the following: Before you leave, come to my classroom and turn in your paper and any other homework that was due that day.  You will be expected to take the exam the day you return to class. You will have 1 week to make up the exam or the Unit exam grade will become a zero.

Excused Absences: The day students return to school from an Excused Absence, students must have an excuse from their parent/guardian.  The note must first be processed by the attendance office in order for the student to receive an “Excused pass”.  Make-up assignments are initiated by the student either before or after school.  Requests made at any other time will not be honored.

Students are expected to make up missed quizzes and exams upon the day of their return.  You must inquire about missed work/assignments within two days of your return.  Otherwise, you will not be allowed to make up missed work   Please refer to TCHS Student-Parent Handbook.

Students and parents should be aware that absences on days that major assignments are due shall require a doctor’s note, note from the court, or a note from the county.  Such major assignments are:  Essays, ORR assignments, and group projects/presentations/portfolios. All assignments are due by the beginning of the class whether you are present for the entire day or not.  Please make arrangements to have your assignment delivered to your teacher’s class if you are going to be absent.

Late work:  Students are expected to submit their work on time.  If a situation arises that is so dire as to require an extension, the student needs to discuss the situation privately with me prior to the due date for the assignment.   (In the event that something serious happens to you, I am required to complete a Social Worker Referral).

FYI:  Since students are given due dates for typed assignments well in advance, computer problems/ or not owning one do not constitute valid excuses for extensions on assignments. Therefore, computer problems (running out of paper and/or ink) or not owning a computer do not constitute a valid excuse for an extension. Computer usage is available before and after school in the media center.  Plan well enough in advance so that you can meet your deadlines and allow time for printer malfunctions and computer problems. My computer printer crashed is no excuse! 

If your computer or printer begins to malfunction the night a paper is due, write it by hand

A.       If you do not own a computer, you can access the school computers in the media center, Student Resource Center, or the computer labs at the public library.
B.      Please note that all computers at school (and in most local libraries) use Microsoft Word Software.  If you only have Microsoft Works on your home computer then you must print from home. Computers at school can not read documents saved in MS Works or on Mac/Apple computers.
C.      If you bring in your assignment saved on a jump drive or have it on your email, IT IS LATE. I can not risk placing a virus on my computer.

Assignments and Tardies:  Tardiness is unacceptable because it is disruptive to the learning environment.  Excessive tardiness will affect your grade in the class because each student shall have an assignment to complete within the first ten minutes of class.  If you are not in your seat when the bell rings you will be marked TARDY.   Do not enter my room unless you are ready to begin working. Personal needs (restroom, water, lockers, socializing, etc.) should be taken care of during the 7 minutes you have between each class (especially since you have to pass the restroom in order to enter my class).  Please use it if needed prior to entering.

Recovery:   Recovery is STUDENT INITIATED: Consistent with the Fulton County policy, only students with a grade of 74 or lower may request recovery assignments to improve their grade provided the student meets all three of the following conditions:

1.        has completed all assignments (no zeros)
2.        has no more than three (3) unexcused absences
3.        completes all recovery work before the last ten (10) days of the semester

MAJOR PAPERS/PROJECTS: You will be required to type most assignments Papers/projects are due on the day assigned by the start of class whether you are absent or not. If you are absent on the day an assignment is due, a responsible parent/guardian is responsible for bringing your work to schools. Parents should have papers delivered to the office signed by the secretary with the time that your paper was delivered. Assignments will not be accepted over email or on disk.  Any assignment not done in proper format (MLA) will be returned and given no credit

There will be several major papers, a research paper, and the AP Literature & Composition Exam. REWRITES: Students are allowed to rewrite 3 essays of their choosing (for up to 10 points higher on the grade earned). These rewrites are due no later than 5 days after the original paper has been returned. I determine how many points will be added to the original essay grade depending on the quality of the rewrite.

EXAMS: There will be two (2) unit exams, and one final exam.

ACADEMIC-INSTRUCTIONAL PORTFOLIO: Will be checked on a bi-monthly basis, and at the end of the semester will revert to one (1) major exam grade.  The student is responsible for maintaining a well organized notebook (see guidelines below), which should contain all materials covered in class.  This will include all handouts distributed as well as notes taken in class and the re-writes from homework of the daily notes.  PLEASE LABEL SECTIONS AS FOLLOWS:

WARM UP (includes sponges, journals, Voice Lessons, etc.)
(Note—to be kept in the 1 Subject Notebook/Composition book)

I.                    NOTES (includes Essential Question and Standards for the lesson of the day)
II.                  Homework & Classwork
III.               Quizzes & QUEST, and  Returned Teacher-Generated Progress Report (with parent’s signature)
IV.                Handouts & Miscellaneous PSEP Info
V.                  NOTE REWRITES in different colored ink each night
.
**Syllabus and Common Core Georgia Performance Standards [CCGPS] must remain in the front of your Student Academic-Instructional Portfolio**






Multicultural/Contemporary/World Literature Movie List
Dear Parents,
Your son/daughter(s) will be studying film during his/her language arts course. These courses introduce the concept of reading film rather than merely watching for entertainment. Much like we have traditionally analyzed literature, students learn that film is a medium of expression, commentary, opinion, etc. as are novels/ plays/ etc. Throughout this course we will be exploring how film directors use their craft to make their movies and influence their audiences. All the films we will be watching capture excellent examples of film direction and technique, as well as include other texts that enable the students to use the analytical skills they have already learned through the course. We will not be viewing all of these films in their entirety (there will be specific clips chosen from films used to illustrate a specific technique).
Film Director Rating
21 (2008) Robert Luketic PG-13
3:10 to Yuma (2007) James Mangold R (violence)
300 (2006) Zack Snyder R (intensive, graphic combat and sexuality)
Amelie Jean-Pierre Jeunet R (sexual content)
American Graffiti George Lucas PG
A Beautiful Mind (2001) Ron Howard PG-13
A Dolls House
Batman Begins (2005) Christopher Nolan PG-13
Beowulf Robert Zemeckis PG-13
Big Fish Tim Burton PG
Castaway Robert Zemeckis PG-13
Children of Men (2006) Alfonso Cuaron R (language, violence)
Cinderella Man (2005) Ron Howard PG-13
Citizen Kane (1941) Orson Welles NR
Cool Hand Luke Stuart Rosenberry NR
Crash (2007) Paul Haggis R (strong violence, language, sexuality)
Crouching Tiger, Hidden Dragon (2000) Ang Lee PG-13
Edward Scissorhands (1990) Tim Burton PG-13
Fantastic Mr. Fox Wes Anderson PG
Ferris Bueller’s Day Off John Hughes PG-13
Forrest Gump (1994) Robert Zemeckis PG-13
Friday Night Lights Peter Berg PG-13
Goodfellas Martin Scorsese R(violence, language)
Gran Torino (2008) Clint Eastwood R (violence, language)
Groundhog Day Harold Ramis PG
Heathers (1989) Michael Lehman R (language)
Hotel Rwanda Terry George PG-13
House of the Flying Daggers Zhang Yimou PG-13
Inception (2010) Christopher Nolan PG-13
Jaws (1975) Steven Spielberg PG
Juno Jason Reitman PG-13
L.A. Confidential (1997) Curtis Hanson R (violence and language)
Life is Beautiful Roberto Benigni PG-13
Life of Pi PG
Looking at Movies Barsam, Monahan NR
Mad Hot Ballroom Marilyn Argelo PG
March of the Penguins Luc Jacquet G
Mean Girls (2004) Mark Waters PG-13
Megamind Tom McGrath PG
Memento Christopher Nolan R(violence, language)
Monty Python & the Holy Grail Gilliam, Jones PG
Mulan (1998) Tony Bancroft/Barry Cook G
Napoleon Dynamite (2004) Jared Hess PG
North by Northwest (1959) Alfred Hitchcock NR
Othello (1995) Oliver Parker R (some sexuality)
Pan's Labyrinth (2006) Guillermo Del Toro R (language, violence)
Pixar Shorts Kaplan, Milsom NR
Pleasantville (1998) Gary Ross PG-13
Psycho (1960) Alfred Hitchcock NR (violence)
Pulp Fiction Quentin Tarantino R (violence, language, drug use)
Rabbit-Proof Fence Phillip Noyce PG
Rear Window (1954) Alfred Hitchcock NR
Risky Business Paul Brickman R(language, sexuality)
Road to Perdition Sam Mendes R (violence, language)
Rocky John G. Avidlsen PG
Rudy (1993) David Anspaugh PG
Saving Private Ryan (1998) Steven Spielberg R (language, violence)
Say Anything Cameron Crowe PG-13
Shutter Island Martin Scorsese R (violence, language)
Simon Birch (1998) Mark Steven Johnson PG
Slumdog Millionaire (2008) Danny Boyle R (violence, language)
Smoke Signals Chris Eyre PG-13
Spellbound Jeffrey Blitz G
Stand By Me Rob Reiner R(language)
Star Wars (1977) George Lucas PG
Stranger Than Fiction Marc Forster PG-13
SuperSize Me Morgan Spurlock PG-13
The Big Lebowski John Coen R (language, drug use)
The Birds (1963) Alfred Hitchcock NR (violence)
The Breakfast Club (1985) John Hughes R (language)
The Color Purple (1985) Steven Spielberg PG-13
The Dark Knight (2008) Christopher Nolan PG-13
The Godfather Francis Ford Coppola R (violence, language)
The Gods Must Be Crazy (1980) Jamie Uys PG
The Green Mile (1999) Frank Darabont R (language, violence, mild sexuality)
The Importance of Being Earnest Oliver Parker PG
The Incredibles (2004) Brad Bird PG
The King’s Speech Tom Hooper R (some language)
The Man Who Shot Liberty Valance (1962) John Ford NR
The Matrix (1999) The Wachowski Brothers R (sci-fi violence and brief language)
The Passion of the Christ R Mel Gibson (religious content, violence)
The Prestige (2006) Christopher Nolan PG-13
The Princess Bride (1987) Rob Reiner PG
The Shawshank Redemption (1994) Frank Darabont R (language, violence)
The Shining Stanley Kubrick R (violence)
The Silence of the Lambs Jonathan Demme R (violence)
The Sixth Sense (1999) M Night Shyamalan PG-13
The Truman Show (1998) Peter Weir PG
The Usual Suspects Bryan Singer R (language, violence)
True Grit Ethan & Joel Coen PG-13
Unbreakable (2000) M Night Shyamalan PG-13
Unforgiven (1992) Clint Eastwood R (language, violence)
Up Peter Docter PG
V for Vendetta (2006) James McTeigue R (strong violence, some language)
What’s Eating Gilbert Grape Lasse Halstrom PG-13
What Dreams May Come Richard Burton PG-13
Yellow Brick Road Keith Rondinelli, Matthew Makar NR

As a class, we may view portions of all these films, keep a viewing log, and discuss film technique and composition. While those listed above have been frequently taught, other more recent films may be included based solely on relevance to course discussion, curriculum content, and student
interest.


Please indicate on the syllabus signature sheet, giving your child permission to study these and other films in our class. If you would prefer your child not study these films, we can arrange an alternative viewing assignment. SIGNATURE SHEET – PLEASE PRINT AND RETURN TO YOUR LANGUAGE ARTS TEACHER ASAP.

No comments:

Post a Comment